JOSÉ MANUEL HERNÁNDEZ (Baryton) is a graduate of the Royal Conservatory of Madrid. He also studied baroque cello at the Sweelinck Conservatorium of Amsterdam under Wouter Möller. Other teachers have included Richte van der Meer, Jaap ter Linden and Rainer Zipperling (cello) and Pere Ros and Ventura Rico (viola da gamba). He is a member of several early music groups including Gabinete Armónico, and is co-founder of the Brunetti String Quartet and the Millennium Viola da Gamba Consort. As a soloist he performs suites by Bach as well as solo sonatas by other composers. He has appeared in festivals in Spain and abroad and has recorded for the Spanish Radio, Polska and Suisse Romande. His CD recordings have been for Sony, Erato, Glossa, A y B, Dorian Records, Arsis and the Spanish Society of Musicology. He teaches baroque cello at the Royal Conservatory of Madrid and cello at the Teresa Berganza Conservatory (Madrid). His instrument is a copy of Stadlmann baryton made by Owen Morse Brown in 2005. 

ELENA BORDERÍAS (Viola) She started her musical studies in her native city Madrid; afterwards she moved to London where she got her Final Diploma in 1993 at the Guildhall School of Music and Drama. In the meantime she specilized on baroque violin with Micaela Comberti. She has been a member of the Orquesta Ciudad de Granada (Josep Pons) for seven years; since 1999 she enjoys a period of extended leave of absence that allows her to play with different groups and orchestras. As a free-lance violinist she works with Amsterdam Baroque Orchestra (Ton Koopman), Collegium Vocale Gent (Philippe Herreweghe), Le Concert des Nations (Jordi Savall), European Union Baroque Orchestra (Roy Goodman), Orquesta Barroca de Sevilla and Orquestra de Cambra Teatre Lliure of Barcelona. She also forms part of several chamber music ensembles: Capilla Musical “Los Extravagantes”, Schola Antiqua de Granada, La Tempestad, Cuarteto Brunetti, Tornavoz and Trio Baryton de Madrid. Right now, moved by her interest in the musician´s physical problems, she is working on the Grinberg Method, a technic based on the reflexology. 

Asunción Tarrasó Alcalá (Violonchelo). Asunción Tarrasó comienza sus estudios musicales en el Conservatorio de Música de Valencia, con el profesor de violoncello Alejandro Abad. Más tarde estudia violoncello con el profesor Lluis Claret en L’Escola de Música de Barcelona y con el profesor Marçal Cervera en Freiburg, Alemania (Staatliche Hochschule für Musik Freiburg)Así mismo, es en Freiburg donde se forma como profesora de Técnica Alexander. Fue miembro de orquestas como “Collegium Musicum” de Valencia o la Joven Orquesta Nacional de España, y colabora con diversas orquestas en España, Suiza y Alemania. Se inicia en el estudio del violoncello barroco con Itziar Atutxa y en diversos cursos con los profesores Reiner Zipperling y Gaetano Nasillo. Cursa los estudios superiores en la especialidad de violoncello barroco con el profesor José Manuel Hernández en el Real Conservatorio Superior de Música de Madrid. Es además miembro del grupo Arcanus, profesora de Técnica Alexander y Terapeuta Gestalt.